GOFAD is pleased to bring this special report issued on the day that the UN Climate Change Conference of Parties. (COP) 26 begins in Glasgow, UK. Various forms of Carbon Taxes have been part of the discussion among academics, policy makers, media commentators and executives in the Oil and Gas sectors globally. Most recently, the topic has engaged participants at the UN General Assembly (September 2021) and the IMF/World Bank Annual Meetings (early October 2021). The Green Economy Workshop at which Dr. Thomas Singh presented a paper on the upstream carbon tax provided a point of departure from many of the other contributions on this issue and is worth the consideration of our readers. This is especially the case given the thrust of Guyana’s President Irfaan Ali’s statement last week to the UN Preparatory Session for COP 26, including over 200 civil society organizations from more than 40 countries that called for an end to international public financing for fossil fuels. President Ali pointed out that Guyana, a low-lying country which is engaged in a major offshore oil exploration push with ExxonMobil—already uses seawalls to protect its coastal cities. https://www.theenergymix.com/2020/03/08/hope-for-stability-fades-as-guyana-becomes-nascent-petro-state/ President Ali aptly highlighted the situation when he said “climate emergency will kill far more people than the COVID-19 pandemic” , adding that “We hold out hope that the world’s worst emitters of greenhouse gases that are affecting the welfare of all mankind will also come to the realization that, in the end, it will profit them little to emerge king over a world of dust”
At the Green Economic Workshop, an interactive panel considered another perspective by engaging participants in a discussion, Can Guyana be a Model for Climate Resilience: Aligning Oil and Gas with a Green Economy. At the same time CARICOM Climate Change Ministers this week issued a call for Climate Justice in a Declaration ahead of COP26. These among others form the context for the Report that follows.
The Background to a Game Changing Proposal
A carbon tax is one way of “putting a price on carbon”, the other being to establish a carbon emissions trading system (ETS). Carbon pricing causes economic agents who are transacting in a market to recognise third party costs as part of their production costs. As such, an explicit carbon tax that leads to a reduction in crude oil production is associated with a certain amount of “avoided emissions.”
The Upstream Carbon Tax at the Wellhead (UCTW), discussed on Day 1 of the 2021 Green Economy Workshop is a game-changing one that will in fact address all four objectives of COP26: Climate Mitigation, Adaptation, Finance and Cooperation. A “Pigouvian tax” [meant to equal the cost of the negative external effects] that will be set equal to the best measure of the Social Cost of Carbon (SCC), will achieve the climate mitigation objective by ensuring that oil producers internalise the full cost – including the “third party cost” or negative externality imposed on all of us when CO2 emissions are released on combustion - of their activities. As it is a tax the UCTW will also generate revenues, which could be earmarked for climate adaptation, in the jurisdictions that adopt it. In other words, the UCTW will achieve enhanced ambition in the Guyana-Suriname Basin, but without the usual concerns about a reduction in revenues. Cooperation as envisaged in Article 6 of the Paris Agreement will therefore be “incentive compatible” for Guyana and Suriname, which could be seen as achieving enhanced ambition as a regional climate club, an idea that has been promoted by Economics Nobel Laureate, William Nordhaus.
Distinguishing between Up Stream and Down Stream versions
The carbon tax is administratively simple, but one must distinguish between an upstream and a downstream version. The downstream version of the carbon tax is one that is levied at the petrol pump. It has become a focal point for the global effort to reduce emissions from fossil fuels, receiving strong support in the US from the Climate Leadership Council (CLC), which calls it the "bipartisan climate solution”; and wider support from Leaders around the world from government, private sector, academia, and civil society organised as the Carbon Pricing Leadership Council. Both the World Bank and the IMF have endorsed carbon pricing, the Managing Director and staff of the latter even being more specific in their advocacy of a minimum carbon price floor to be adopted by the full G20.
Timing, however, is of the essence, and not just because the imminent COP26 will probably finalise the Rulebook for Article 6. Rather, if a developed country were to adopt a carbon tax first, then it will no doubt impose a border adjustment on oil imports from countries that do not have a carbon tax, ultimately causing those latter countries to pay their carbon tax, without being able to earn any revenues from it. This could well be the fate of crude oil extracted from the Guyana-Suriname Basin if the UCTW is not adopted first. On the other hand, countries that import oil from the Guyana-Suriname Basin will be penalised by having to pay higher, UCTW-inclusive prices and losing the opportunity to earn corresponding revenues unless they themselves adopted a higher carbon tax. Because carbon taxes cannot be successfully challenged either under WTO rules or international investment dispute settlement mechanisms, the adoption of the UCTW in the Guyana-Suriname Basin will provide an important nudge to the process of putting a price on carbon. Universal adoption of carbon pricing, which seems inevitable, would itself ensure that there will be no significant loss in the competitiveness of crude oil produced in the region, nor would there be any carbon leakage due to the transfer of oil production to other regions.
The upstream carbon tax, levied at the wellhead in the Guyana-Suriname Basin, is notably superior from a national (Guyana or Suriname) perspective to the downstream version that is being advocated, the CLC downstream version applies to consumers in the US. Thus the tax revenues would increase in the US and other developed countries that adopt the proposal. This, of course, is in the nature of taxes: they are earned in the tax jurisdictions in which they are levied or implemented. The "irrelevance-of-who-pays the tax" logic would guarantee that the climate mitigation effect of the tax is identical, regardless of where it is levied - at the petrol pump in developed countries or the wellhead in the Guyana- Suriname Basin. What is wholly different is the "distributional effect”, because it is only in the case of the latter that Guyana and Suriname would earn revenues from the measure. Thus, if Guyana's oil production were to remain at 120,000 barrels per day, the Government of Guyana (GoG) will earn about USD750 Million annually if an average carbon price of say US$40/tonne of CO2 equivalent were to be assumed. And in Guyana’s case, this could be a simple administrative charge levied by the Guyana EPA, requiring no new legislation or regulation. Indeed, the very same provision Section 4 (4) (a) Environmental Protection Act 1996 that was used to introduce a charge on excess flaring emissions in the Stabroek Block, is available for the introduction on this UCTW.
Carbon Tax Climate in Guyana -Suriname Basin & Climate Financing for CARICOM
A key design element of carbon taxes - upstream or downstream - relates to the use of the revenues that would be raised by the tax. The general principle is that the revenues must be earmarked for activities that will not lead to a leakage, or an increase in CO2 emissions elsewhere; or may even reduce them further. In the case of the UCTW, the revenues ought to be thought of as self-generated climate finance, to be used for adaptation, and perhaps for loss and damage, and climate resilience; and also for immediately fulfilling the unconditional and conditional Nationally Determined Contributions (NDCs) made under the Paris Agreement. Moreover, this self-generated climate finance will be controlled and distributed in an institutional framework that would allow countries that have generated the emissions reductions to have a say in the use of the funds. Finally, while the commitment by developed countries to US$100 Billion annually to climate finance seems as elusive as the quest to limit the average global temperature increase to 1.5 degrees above pre-industrial levels, the Guyana-Suriname Basin can generate enough climate finance for the region to even consider making subscriptions to start a Regional Climate Adaptation Fund to support other countries.
By adopting the UCTW, Guyana and Suriname will therefore be able to address the deep paradox of producing a commodity that increases CO2 emissions at the very time that net-zero has become critically important, while also being renowned for the positive externalities of rich biodiversity and significant carbon sequestration services it provides as part of the Guiana Shield. The development in the Guyana-Suriname Basin is also coming on stream at a time when the International Energy Agency (IEA) has issued a call for an end to new investments in fossil fuels, rather than making the phasing out of unabated power plants in advanced countries the priority. Beyond the mitigation it would achieve, the UCTW could, if adopted, be invoked for the role it will play in providing a much-needed nudge to the rest of the world to adopt carbon pricing, while providing a positive response to the IEA’s call in a way that respects the common but differentiated responsibilities to address climate change among countries.
Carbon Pricing Essential to Achieving net Zero Emissions
In contrast, the ETS is a 'cap-and-trade' scheme which requires the regulatory agency to set limits or caps on emissions, allocate allowances, and then let participants trade allowances in order to meet their regulatory requirements. A carbon price emerges from this trading. One key difference between the two forms of carbon pricing therefore is that with carbon taxes prices are known, while with the ETS, the carbon price is very uncertain. It is for this reason that even oil majors such as ExxonMobil have publicly announced their support for carbon taxes as the most effective way of stabilising the global climate. In fact, Exxon Mobil has even adopted the stance that carbon pricing is "essential to achieving net-zero emissions”.
The upstream version of the carbon tax, levied at the "wellhead," or on each barrel of oil produced in the Guyana-Suriname Basin, is superior to the alternative of establishing an ETS in which oil companies would participate. For one thing, unless allowances are sold or auctioned when being allocated at the outset, governments earn no revenue at all from the operation of emissions markets. Second, the ETS creates great uncertainty about the ensuing carbon price for investors, whereas carbon taxes give companies a chance to take stable and explicit carbon prices into account when making decisions. From a climate mitigation perspective, one should further point out that while the ETS and carbon taxes would, with the right assumptions, have the same effect of reducing emissions, it is far easier to get the carbon price "right" in the case of the carbon tax than in the case of ETS.
Conclusions: Carbon Tax and the Fundamentals of Social Justice
The upstream version of the carbon tax is also clearly superior to any of the voluntary "private-public" schemes that are now emerging. One such is the Lowering Emissions by Accelerating Forest Finance (LEAF) Coalition, which is itself a voluntary coalition that seeks to match buyers and sellers of carbon offsets. Its Call for Proposals indicates that these offsets are designed for "voluntary, not international compliance purposes”, and therefore should be seen as complementary to other measures such as the UCTW, and not an alternative to it. It should be emphasised that Guyana stands to earn revenues from carbon offsets generated by LEAF projects only in stage 5 or 6 of the LEAF cycle, after emissions reductions (ERs) have been verified, the credits have been paid for by a third-party agency, due diligence has been done, and so forth. Indeed, in posting an update that lists the jurisdictions “eligible for purchase agreement discussion with Coalition participants”, the LEAF Coalition states clearly that “This posting does not guarantee a transaction. LEAF Coalition transactions are conditioned on the ability of a jurisdiction to demonstrate compliance with the requirements of v2.0 (or other applicable version) of The REDD+ Environmental Excellence Standard (TREES) ... and the terms of the Call for Proposal issued on April 22, 2021.” This contrasts with the assured climate finance that could be generated from a UCTW, but it is important to point out that the two carbon mechanisms are not in any way mutually exclusive.
For all these reasons therefore, and because of the resounding climate justice that would finally be infused in a mitigation mechanism, the just-concluded 2021 Green Economy Workshop hosted by the University of Guyana GREEN Institute (UGGI) recognised the urgency and the importance of an Upstream Carbon Tax at the Wellhead in the Guyana-Suriname Basin, and by this statement, requests that governments of the region give serious consideration to it.
About the Author
Thomas Singh is currently the Director of the University of Guyana GREEN Institute and Senior Lecturer in the Department of Economics. He has worked in academia, the public sector and the private sector. His research interests are generally in applied microeconomics, particularly environmental and natural resource economics and the economics of trust and social interactions. He has a PhD in Economics from the University of Kent (UK), MA Temple University and B.Sc Soc SC UG. An active member of civil society, he is also President of the Epilepsy Foundation of Guyana. See UGGI Website: https://greeninstitute.gy/
ENTERTAINING, ECLECTIC, EXUBERANT EZINMA: From Cornhusker to Classical Bae, she’s merging the sounds of violin and hip-hop By Angel Jennings in Nebraska - Lincoln Alumni Quarterly Fall 2021
In a tiny Manhattan apartment, Meredith Ezinma Ramsay propped her iPhone on an Ikea shelf and pressed record. She stepped back, cradled her custom Italian violin under her chin and allowed the melody of Future’s 2017 trap hit Mask Off to wash over her. Her bow jumped across the strings to the rhythm of the song as she jammed out, putting her own classical flair to the hip-hop beat. A mountain of golden curls stacked atop her head bounced along. Satisfied, she uploaded the one-minute video to her 5,000 followers. The next day, her Instagram following grew to 22,000. Then 100,000. Now more than 360,000.
“What do I share? What do I post to all of these fans?” she recounted during a video interview from her hotel room in Mexico in early June, where she is working on new music. “Now I have fans. Before I just had friends.”
That viral video commanded an audience that could have filled a concert hall or arena many times over — and catapulted her from an unknown violinist to the Internet-crowned “Classical Bae. “Her sound reached the ears of megastar Beyoncé who invited Ezinma to join her all-girl band at the Southern California music festival Coachella in 2018. She has toured Europe, played with Stevie Wonder, Kendrick Lamar, SZA and the late Mac Miller. This spring, she released her debut EP Classical Bae.
At first glance, it appears Ezinma’s success happened overnight, but it has been decades in the making. And it all started at the University of Nebraska-Lincoln, where her parents met and fell in love, where a community embraced, nurtured and challenged her and she gained the skills and confidence to upend the classical music world.“UNL genuinely prepared me for life,” Ezinma said, reflecting on her time on the sprawling campus. “I feel like I was given a really safe incubator to be myself. After that, I felt like I could do anything.”
Ezinma has been a fixture on Nebraska’s campus since she was a baby. Her mother, Dr. Lisa Knopp, would rock an infant Ezinma in her arms during her office hours in Andrews Hall when she was a Nebraska doctoral student earning her Ph.D. in creative nonfiction and American literature. Her father, Colin Ramsay, would strap a toddler Ezinma on his back as he taught actuarial science courses in the College of Business Administration. She would peer out into the class of students and wave, her father recalled. They would wave back. “I remember drawing on the marker board in my dad’s class,” she said. “In many ways, I feel like I grew up at UNL.”
Back then, everybody knew her simply as Meredith. She fell in love with the violin when her teachers at Prairie Hill Montessori School brought in violin instructors who taught the Suzuki method. “These little kids were playing these tiny violins and she bugged us,” Knopp, now an English professor at University of Nebraska Omaha, recounted over the phone. “She wanted one.”
She was 3. Her parents assumed it would be one in a long line of interests their young daughter would take up as she explored and found herself. They conceded and rented a miniature version of the string instrument that could fit her tiny fingers. Practice, for preschoolers, consisted of learning how to hold the instrument, playing the musical scales and learning to play Twinkle, Twinkle Little Star. It would take a young Ezinma five minutes to complete. Her mother got an idea. Knopp, who studied the piano and flute as an undergraduate in Iowa, would pull out her flute and join Ezinma in her practices. The time would fly by as they played folk music, soulful church hymns and freestyled. “She and I would just screw around and have fun,” Knopp said. “I think she had the association that music could be really enjoyable. Then to go from five minutes to 30 minutes (of practice) when you’re six, that’s a huge deal. At a very early age, she was practicing way more than the other kids.”
By the sixth grade, Ezinma’s skill had outpaced her mom and Knopp could no longer keep up with her on the flute. Others began paying attention to Ezinma’s musicality. She had a big sound and knew how to make mundane pieces musical and expressive. “There was something kind of extraordinary. She could really make her violin sing,” Knopp recalled. When Ezinma was in the eighth grade, she was yearning for a new challenge. Her parents signed her up to study under David Neely, a Nebraska professor of violin. She took lessons from him for five years. “She was skilled like any athlete would be and very focused on her routines,” Neely said. “She practiced very hard and I always loved that about her. She was very diligent about her music making.” “But now she’s doing it. That’s what happens when you really follow your heart and put the work in.” –Dr. Lisa Knopp
Additionally, Ezinma attended national and international music camps to sharpen her skills and challenge herself. She was often the only Black musician in the room. It was at Interlochen Center for the Arts, a prestigious music program in Michigan, where Ezinma encountered another Black string player for the first time. She was 14 or 15. “Seeing that I realized, ‘Oh my gosh, this is a deficiency,” Ezinma said, reflecting on that moment. “I didn’t realize how underrepresented I was until I finally saw somebody. It’s kind of interesting. You don’t realize you’re lacking until you’re finally given water. And you’re like ‘Oh my God, I’m thirsty.’ That was a big moment for me.”
She called her mother. “It was like naming some obvious thing that you’ve never paid attention to,” Knopp recalled. “For the first time she saw another Black violinist. Doesn’t that make you want to weep with joy and sadness?” Ezinma would return from these prestigious training camps, eager to show others her growth. “She would go away to these international camps and come back and not be seated very high in the orchestra,” Knopp said. “So, I’m like ‘what the hell is going on here.’ ”
Ramsay, her father, who was raised in Guyana, a country on the Caribbean coast of South America, knew what it was. Before he had Ezinma, he had considered America the land of opportunity and said he did not fully understand the role racism played in the lives of Black people in America. Ramsay would have spirited debates with the late Michael Combs, a political science professor who taught at Nebraska for decades, about race and identity. But raising Ezinma showed Ramsay another side of his adopted home country. He saw, in ways large and small, how some minimized Ezinma’s talent, questioned her abilities and tried to chip away at her confidence. “It was like somebody breaking your legs, crippling you so when you’re an adult you can’t even walk,” Ramsay said, who is still an actuarial science professor at Nebraska. “Working hard is not enough. It’s necessary but not sufficient.” He would speak up for her, questioning the motives of her teachers. But at home, he would pull Ezinma aside and issue hard truths, “You’re Black. You just have to be better.”
When it was time to apply to college, Ezinma only submitted one application: To the University of Nebraska-Lincoln. She had graduated from Lincoln Southwest High School a year early and at 17, she didn’t want to go too far from home. At this point, she was 14 years into a love affair with the violin. She could see herself pursuing a career in music but her dad pushed for her to study medicine. “I came from the Caribbean and in our culture, you only have three choices if you’re smart: doctor, lawyer or engineer,” Ramsay said. “Music felt like entertainment. That was never part of the equation.” Father and daughter reached a compromise. To make sure Ezinma was not attempting to shy away from the harder STEM courses, Ramsay said she could major in music if she took math and science courses.“ “After you get an A in all of these subjects then you can make a decision based on love and not fear,” he told her.
Ezinma arrived as a freshman in 2008. She declared a double major in biochemistry and violin performance and a minor in mathematics with a pre-medicine emphasis. She aced her courses. When she wasn’t studying, she was practicing at Westbrook Music Building into the wee hours with her musician friends. “We were really intense,” Ezinma said. “We would be there until the janitors came in and closed the building.” At the end of her sophomore year, she confessed to her dad: “I’m a musician.” He conceded.
“You don’t choose to do music. Music chooses you,” said Neely, Ezinma’s former violin professor. “There’s something inside your soul that you just can’t put it away. It just draws you back no matter what you do.” “Music called her and she couldn’t not do it.”
Glimpses of Ezinma’s talent in her interpretation "Ode to Hustle" https://youtu.be/n6q7QJOPmnU
About the author Angel Jennings, a Nebraska-Lincoln Alum is Assistant Managing Editor for culture and talent at The LA Times. She oversees our Metpro and internship programs as well as works closely with HR and department heads to help manage a broad range of responsibilities, including tracking, recruiting, interviewing and selecting diverse candidates for job opportunities and advancing the company’s efforts to promote diversity, equity, inclusion and access.
Edward and Auriol Greene Directors, GOFAD.